Precious Childhood: Loose Parts - Nature Indoors and Outdoors

http://preciouschildhood.blogspot.com.au/2012/04/normal-0-false-false-false-en-au-x-none.html

Loose Parts - Nature Indoors and Outdoors

"Children are the only brave philosophers. 
And brave philosophers are, inevitably, children".

YEVGENY ZAMYATIN, 

When I am stressed, I choose to be in nature where I find peace! I believe that young children have a natural affinity to nature – they will find bugs in the most unlikely places such as in car parks, little hands reach out through fences surrounding artificial play spaces to touch the weeds on the other side. Just watch the delight in a child's face when they spy a puddle and the disappointment as the adult guides them away from this magical play opportunity. 

Transient art sculpture created by a 20 month old child in Family Daycare WA

 Childhood is precious and as adults we have the responsibility to support the building of childhood memories by allowing children motivational and memorable opportunities. Asking the majority of adults about their childhood - they usually recall these special moments as being outdoors; usually with no adult in sight, lots of time to develop their ideas, very few resources and often doing something they were told not to do! I certainly remember climbing onto the shed roof and doing somersaults through the air and into the compost heap, fine until I landed on one of the pumpkins growing wild! I also remember hours of trying to create fairy boats that really float using leaves and pieces of bark and decorating sandcastles using shells, seaweed and sticks. Do we offer our children these opportunities that will build such childhood memories? 

Sand and water that can be mixed offers a very high play affordance!

What 'resources' do we need to offer children for effective and memorable play and learning both indoors and outdoors?

Most important is the skilled adult! Somebody who understands what children need, is able to empower children to take the lead and can analyse the learning taking place without needing to structure activities or opportunities.  

The loose parts theory was first developed by Simon Nicholson, architect, who suggested that if children have access to a range of materials which have no defined purpose then they will access a wider range of play types and be more creative in the ways they play. "In any environment, both the degree of inventiveness and creativity, and the possibility of discovery, are directly proportional to the number and kind of variables in it".   Nicholson. S. 1971

  

Adults analyse the learning. Cornish College, Melbourne

 'Loose Parts' are materials that children are able to collect, move,  transport, attach, use on their own or combined with other open ended materials and can be made into many different objects. There is no right or wrong way of using them so children can be as creative as they want to be without feeling that they are not using them correctly. This means children have full control and can direct the play activity.

 

Nature's store cupboard offers us the widest range of loose parts; some of the advantages nature offers is that the natural resources are highly sensorial, come in so many different forms which offer selection and challenge, are freely available and inexpensive. They also come in ranges and tones of colour that reflect the gentle colours of Nature's palette instead of the standard very bright primary colours I so often find in young children's environments. Too many bright colours are visually distracting and I feel add to the visual clutter in an environment that many children and adults struggle to concentrate in.

The best is that they offer a very high play affordance!

Children take ownership of their objects which become their treasures as they have been allowed the choice to select from amongst a large and complex selection with each child choosing specifically what is special to them - favourite colours, shapes, sizes, textures. They will combine their 'treasures' with other open ended materials they have free access to -  both natural and man made, offering them many hours of effective learning both indoors and outdoors. 

  

Seashells for children to collect - treasures they choose, colourful, broken - each one a chosen treasure for the child

So what do we need??
The type of natural resources that motivate and stimulate young children are sticks, stones, shells, water, soil, sand, seedpods, pinecones, wild grasses, plants, leaves, flowers and more. Objects that can be lined up, collected, arranged, hidden, used for construction. These should be available both indoors and outdoors – the outdoors tends to offers opportunities for large scale play which generally allows children more freedom. Adults tend to be more relaxed allowing children to 'make a mess' and allowing them greater freedom !

Offer these objects on their own or combine with man made open ended materials such as:

• ·         containers of various sizes and made of various materials; buckets, bottles, boxes

• ·         tools; saws, drills, rakes, metal and wooden spoons, spades

• ·         resources: guttering, boxes, long sticks, cellophane, large bits of fabric, assortment of balls

• ·         materials to join objects: string, twine, Sellotape, masking tape, wire

A cubby for children and one for fairies made indoors with natural materials collected. Cornish College, Melbourne

By offering children these inexpensive and easily accessible resources we allow children free exploration and we can see their own creative way of thinking and doing. As the psychologist Eric Erickson stated, we can see their "natural genius of childhood and their spirit of place." 

"The natural connections children make to formal learning through the use of open ended and naturalistic resources should be a motivation to all adults to ensure that these are freely available to young children both indoors and outdoors."

"There are children playing in the street who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago".

J. ROBERT OPPENHEIMER,